CLAUDIUS king of Denmark.
HAMLET son to the late, and nephew to the present king.
POLONIUS lord chamberlain.
HORATIO friend to Hamlet.
LAERTES son to Polonius.
LUCIANUS nephew to the king.
VOLTIMAND, CORNELIUS, ROSENCRANTZ, GUILDENSTERN, OSRIC } courtiers.
A Gentleman,
A Priest.
MARCELLUS, BERNARDO } officers.
FRANCISCO a soldier.
REYNALDO servant to Polonius.
Players.
Two Clowns, grave-diggers.
FORTINBRAS prince of Norway.
A Captain.
English Ambassadors.
GERTRUDE queen of Denmark, and mother to Hamlet.
OPHELIA daughter to Polonius.
Lords, Ladies, Officers, Soldiers, Sailors, Messengers, and other Attendants.
Ghost of Hamlet’s Father.
(III. i. 64-96)
To be or not to be – that is the question:
Whether 'tis nobler in the mind to suffer
The slings and arrows of outrageous fortune,
Or to take arms against a sea of troubles
And, by opposing, end them. To die, to sleep –
No more – and by a sleep to say we end
The heartache and the thousand natural shocks
That flesh is heir to – `tis a consummation
Devoutly to be wished. To die, to sleep –
To sleep, perchance to dream. Ay, there's the rub,
For in that sleep of death what dreams may come,
When we have shuffled off this mortal coil,
Must give us pause. There's the respect
That makes calamity of so long life.
For who would bear the whips and scorns of time,
Th' oppressor's wrong, the proud man's contumely,
The pangs of despised love, the law's delay,
The insolence of office, and the spurns
That patient merit of th' unworthy takes,
When he himself might his quietus make
With a bare bodkin? Who would fardels bear,
To grunt and sweat under a weary life,
But that the dread of something after death,
The undiscovered country from whose bourn
No traveler returns, puzzles the will
And makes us rather bear those ills we have,
Than fly to others that we know not of?
Thus conscience does make cowards of us all,
And thus the native hue of resolution
Is sicklied o'er with the pale cast of thought,
And enterprises of great pitch and moment
With this regard their currents turn awry
And lose the name of action.
Below are four different interpretations of Hamlet's famous soliloquy from Act 3, scene 1.Please view all four clips in the following order:
1) 1948 - The timeless performance by Laurence Olivier.
2) 2000 - Ethan Hawke's Hamlet drifts into a Blockbuster video. Notice which section he walks through.
3) 1996 - Kenneth Brannah's Hamlet speaking a mirror image of himself (Note: Hamlet's Uncle Claudius and Polonius are hiding behind the glass).
4) 1990 - Mel Gibson's Hamlet - Notice the choice of location and the intensity of the performance.
To be or not to be – that is the question:
Whether 'tis nobler in the mind to suffer
The slings and arrows of outrageous fortune,
Or to take arms against a sea of troubles
And, by opposing, end them. To die, to sleep –
No more – and by a sleep to say we end
The heartache and the thousand natural shocks
That flesh is heir to – `tis a consummation
Devoutly to be wished. To die, to sleep –
To sleep, perchance to dream. Ay, there's the rub,
For in that sleep of death what dreams may come,
When we have shuffled off this mortal coil,
Must give us pause. There's the respect
That makes calamity of so long life.
For who would bear the whips and scorns of time,
Th' oppressor's wrong, the proud man's contumely,
The pangs of despised love, the law's delay,
The insolence of office, and the spurns
That patient merit of th' unworthy takes,
When he himself might his quietus make
With a bare bodkin? Who would fardels bear,
To grunt and sweat under a weary life,
But that the dread of something after death,
The undiscovered country from whose bourn
No traveler returns, puzzles the will
And makes us rather bear those ills we have,
Than fly to others that we know not of?
Thus conscience does make cowards of us all,
And thus the native hue of resolution
Is sicklied o'er with the pale cast of thought,
And enterprises of great pitch and moment
With this regard their currents turn awry
And lose the name of action.
Below are four different interpretations of Hamlet's famous soliloquy from Act 3, scene 1.Please view all four clips in the following order:
1) 1948 - The timeless performance by Laurence Olivier.
2) 2000 - Ethan Hawke's Hamlet drifts into a Blockbuster video. Notice which section he walks through.
3) 1996 - Kenneth Brannah's Hamlet speaking a mirror image of himself (Note: Hamlet's Uncle Claudius and Polonius are hiding behind the glass).
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